Faith: Volume #1 Hollywood and Vine
Writer: Jody Houser
Artist: Francis Portela
Fantasy Sequence Artist: Marguerite Sauvage
Cover Artist: Jelena Kevic-Djurdjevic
Color Artist: Andrew Dalhouse (occasionally with assistance)
Letterer: Dave Sharpe
Published by Valiant, 2016
*procured at the local library
*This book is part of my 2017 search to find positive representations of fat women in fiction or nonfiction, and that positive representation will not hinge on weight loss and falling in love. Thus, books will either meet or not meet my criteria, which will factor overall into my recommendations. I purposely use the word “fat” because it is not a bad word. Using plump, curvy, plus-sized, fluffy, big-boned, shapely, voluptuous, or any other term suggests that fat is bad and thus needs a euphemism.
You may be wondering why I included all of the key players for the Faith comic book in the credits above. Typically, people don’t. However, there’s something magical about Faith — the work is done almost exclusively by women. Men add the color and the letters, but that’s it. And from what I’ve read, this makes a big difference to the world of Faith Herbert, a fat woman/superhero/writer at a pop culture blog. Faith isn’t new; she’s appeared in other comic books in which she’s ridiculed for her weight or only says ditzy quips. But Faith got a big makeover.
Faith, for the first time in the hands of a female writer and artist, is smart, funny, nerdy, and conscientious. And much like the movie Spy starring Melissa McCarthy, there isn’t one mention of fat in the entire volume. THIS is what I’m searching for in my quest for fat fiction: a woman who happens to be fat but isn’t reduced to her fatness. Her life is full, complicated, wonderful, messy, and awesome, and her size has nothing to do with it.
Thus, the Faith comic book meets all of my criteria for a positive representation of a fat women. But let’s talk about the story and images.
My biggest problem with superhero comic books is that they assume readers know something about the world and characters, which is why I don’t read them. I love other types of comic books and graphic novels — don’t get me wrong — but superhero stories that have taken place for decades are too big to just jump in. Think about it: the first Batman comic came out in 1939 . . . and his story is still going! He’s experienced things and changed and developed, and readers need to know how and why and have lots and lots of context.
Faith, however, is relatively new. I quickly caught on that later in life she discovered her “psiot powers” (comic book speak for super powers?) and that she used to be on a superhero team called the Renegades and dated one of the guys in the group . Her name is Faith Herbert, but when she works at the pop culture blog, she’s Summer Smith, and when she’s in superhero gear, she’s Zephyr. It’s a bit Superman, except Faith is really normal. She makes Back to the Future and Lord of the Rings references, watches and squees about a sci-fi TV show, and she has a few stuffed animals in her apartment. She face chats with friends and sends text messages. Such details made Faith highly relatable and a joy to read.
Faith still gets a bit of celebrity treatment. When she’s seen flying over the city, news reports it. Her ex, Torque, has a reality TV show. He was part of the Renegades, so people know he dated Zephyr. It’s funny when she’s required to write about his show for work because no one knows Faith’s true identity or her relationship to Torque. I liked the Torque story line because he is clearly a handsome, built guy — but she dumped him because she didn’t want to be on a reality TV show. There’s no weirdness about how a fat girl can’t get love or should be thankful someone so “above” her on a hotness scale gave her a second glance.
The plot was a bit wonky. Teenagers who are just discovering their “psiot powers” are being kidnapped and, we later learn, experimented on. Whenever Faith grabs someone involved and tries to question him, the guy spontaneously combusts. The reason the bad guys are kidnapping teens seemed simplistic and confusing at the same time. I wondered if there was a background story I didn’t know.
The images have the comic book quality that make me laugh, like how mouths never seem to be in a normal shape. But Faith is drawn respectfully, and her look changes depending on the context: nerdy at work, pajama-cutsie at home, prepared for action in her superhero costume. I especially like the cape update. It’s not around her neck, but down by her waist.
Then there are scenes that are meant to be Faith’s fantasy. It took me a few times to realize a pink hue indicated “not real,” but just as soon as I caught on, some of the fantasies dropped the pink overlay, and I was left guessing as whether I was in Faith’s head or watching her real life. Sometimes the fantasy scenes are more anime than faith comic book. A separate artist was responsible for the fantasy scenes, so perhaps so better communication was needed.
Faith: Volume 1 Hollywood and Vines is a big step toward making comic books more accessible to a wider audience. In an industry that largely shuts everyone who isn’t a straight white male, Faith tries to kick the door open.
*I want to thank Bina at WOCreads for recommending this book to help me in my question to find positive representations of fat women in fiction and nonfiction.