Anne of Windy Poplars (1936) is Book #4 in L.M. Montgomery’s Anne of Green Gables Series.
Book #3 left off with Anne Shirley and Gilbert Blythe finally getting engaged. It was so moving that Anne couldn’t even say anything; she was moved to speechlessness (how weird for Anne!). Book #4 begins with… Anne and Gilbert totally separate. Book #4 covers the three years that Anne lives in Summerside, about 100 miles from Green Gables. She is the principle at High (basically, the head teacher with students in the upper levels, not children; she isn’t a bureaucrat like high school principles today). Summerside is practically run by the Pringle family, who are so connected and wealthy that what they want goes… until a Pringle cousin is not chosen as principle, Anne is. And the Pringles try to make Anne’s life a living hell in order to run her off. But you know Anne! During these three years, she boards in a house called Windy Poplars (interesting how Montgomery’s titles always reflect Anne’s geographical home).
An important note: there were 21 years between Books #3 and #4 being published. Why? Anne and Gilbert just got engaged, so isn’t a wedding the next natural step? Gilbert says he has to do medical school for three years first, and Anne agrees to wait. I get the feeling L.M.M. chose to have Gilbert be gone a long time to be done with Anne Shirley. I’ll bet she was thinking, Can’t the engagement be the happy ending these darn readers want??
According to The L.M. Montgomery Reader Volume 1: A Life in Print, L.M.M. did not want to keep writing about Anne Shirley. In a letter she admitted, “I’m awfully afraid if this thing takes, they’ll want me to write her through college.” L.M.M. admits that Book #2 was the publishers idea, not hers. So, I review Anne of Windy Poplars knowing it wasn’t in L.M.M.’s heart to write it — and I think that shows in positive and disappointing ways:
First, there is no Gilbert. Much of the novel is epistolary. All letters are to Gilbert, none are from. Oh, he sends them, but the narrator’s not sharing! Anne get so excited about summer and Christmas breaks so she can see Gilbert, but the story will literally go from “hooray, summer break is next week!” to “Anne is back in Summerside for year two.” L.M.M. teased us! Retribution for being greedy readers, perhaps? Gilbert literally doesn’t show until page 154, and that’s to say he has a bit of a mustache now. No dialogue, no scene between our lovers, zip.
Second, L.M.M. will not write about what Anne’s doing in her career. In Book #2 there were few scenes in the classroom, and in Book #4 there are even fewer. Why must the whole novel be about town gossip? Why can’t we know more about Anne’s students, her lessons, the daily tribulations of being a school teacher? Avoiding the whole reason Anne lives at Windy Poplars makes Book #4 seem like a repeat of Book #2. As a result, I spaced out a few times and had to backtrack my eyes on the page.
Third, Anne doesn’t seem to be learning from her mistakes, like she promised us in Book #1. She’s as vain as ever, she’s judgmental about other’s looks, and she is still meddling in people’s romances! Much of the book is Anne playing matchmaker, sometimes for characters to whom we’re not even introduced. The same thing happened in Book #3 when Anne kept mentioning Ludovic Speed and Theodora Dix (turns out their story was told in The Chronicles of Avonlea, a short story collection published in 1912. If you want to be a truly well-read Anne fan, you need to read alllll the books by L.M.M. — there are 11).
Be sure to note publication dates! These eight books were not published in the order in which they are now read/packaged. We read them chronologically, but the 1st publication dates are different. Also, the books below were published at varying times before all 8 books above were written. For instance, L.M.M. mentions a couple in Book #3 several times, but readers meet the couple in Chronicles of Avonlea. Read HERE for more information.
Lastly in my list of evidence that L.M.M. had almost no heart in this book is the introduction of several new and highly unrealistic children: “Little Fellow,” Elizabeth, and Hazel (though she is 18 and not child-child). All three are horribly flowery with language, ideas, and dreams. And I hated all three; they were worse than Paul Irving from Book #2. The devil twins, Gerald and Geraldine, certainly made up for it, though! Leading me to….
The main way tricky L.M.M. made this not reeaaallly an Anne book. What you get are a bunch of short stories that all have Anne in them. You could replace Anne with anyone. While it’s disappointing in the chronicles of Anne, readers pushed her into it. However, my favorite thing about L.M.M. is her characters. I especially love the “rural folk” L.M.M. drops in. I can tell she’s making fun of them; they’re uneducated, they use the wrong words, and they’re truly misinformed about how pretty much anything works because they’re so busy being nosy. But they’re colorful, amusing, and likable. It’s Anne who’s annoying with her meddling!
The following are all characters who drop in and are never heard from again (thus my argument that Book #4 is a series of short stories):
When Anne visits the Summerside graveyard, she runs into Miss Valentine, a woman knows all of the dead buried there, for its all the “old families” of Summerside, including hers. She gives the tour:
“This is Mrs. Dan Pringle . . . I’ve heard that dying was the only thing she ever dared do without asking her husband. Do you know, my dear, what he did once when she bought a hat he didn’t like?”
“I can’t imagine.”
“He et it,” said Miss Valentine solemnly.
In a different scene, Anne is invited to dine with the Taylor family. Esme Taylor wants desperately to marry Dr. Carter from Redmond college, but Esme’s father throws terrible tantrums during which he is silent. Dr. Carter will never propose if her father’s behavior suggests they are a bad family. Since the dinner is so awkward, and Mrs. Taylor and the children are all nearly crying over Mr. Taylor’s silence, Anne says, “Perhaps you would be surprised to hear, Dr. Carter, that Mr. Taylor went deaf very suddenly last week?” It isn’t a lie; she’s only asking if Dr. Carter would be surprised to hear such a thing! Mr. Taylor’s daughter Trix Taylor and son, Pringle Taylor, begin asking horrible questions, implying their father is a beast, such as, “What would you think of a man who let his aunt . . . his only aunt . . . go to the poorhouse?” The two are relentless.
Esme Taylor, the daughter trying to get a proposal from Dr. Carter, finally speaks up:
“What,” she asked quietly, “would you think of a man who spent a whole day hunting for the kittens of a poor cat who had been shot, because he couldn’t bear to think of them starving to death?”
The Taylor family then feels terrible, so Mrs. Taylor tries to help by adding:
“And he can crochet so beautifully . . . he made the loveliest centerpeice for the parlor table last winter when he was laid up with lumbago.”
Woops! It’s 1888, folks, and you can’t admit your husband crocheted! Mr. Taylor finally explodes! It’s so funny! He defends himself: “I don’t crochet, woman! Is one centerpiece doily going to blast a man’s reputation forever?” And there you have it; an entire scene that could survive without Anne Shirley, had any other character suggested Mr. Taylor was deaf.
We’re introduced in another scene to Pauline Gibson and her mother, a tyrant of a woman who must be persuaded to let Pauline (a grown woman) go to her cousin Louisa’s wedding. Mrs. Gibson reminds Pauline:
“I’m sending Louisa a bottle of my sarsaparilla wine to drink the toasts in. I never cared for Louisa, but her mother was a Tackaberry. Mind you bring back the bottle and don’t let her give you a kitten. Louisa’s always giving people kittens.”
Another scene takes place when Anne is the bridesmaid for Sally Nelson. Poor Sally’s sister Nora is worried she’ll never get married and admits to Anne that she had a beau across the lake whom she loves, but they had a huge fight. Nora says she used to signal him with a lantern and he would come running over. What does Anne do? Signal with the lantern — but she forgets the lantern in the window. At 2:00AM, a meddling relative dubbed “Aunt Mouser” hears a noise in the house and wakes everyone:
They crept cautiously down the stairs with the Doctor at the head and Aunt Mouser, candle in one hand and poker in the other, bringing up the rear. . . .
Nora and a young man were standing in the middle of the room, which was dimly lighted by another flickering candle. The young man had arm his around Nora and was holding a large white handkerchief to her face.
“He’s chloroforming her!” shrieked Aunt Mouser, letting the poker fall with a tremendous crash.
The young man didn’t see the signal until 1:00AM and came over as quickly as possible, thinking there was trouble. When Nora saw a man coming to the house, she ran — into a door, giving herself a bloody nose. Again, this whole scene could exist without Anne, assuming anyone else put the lantern in the window.
Truth be told, Anne’s interference in ever scene felt very un-Anne-like. L.M.M. uses the titular character sparingly, and instead gives readers a short story collection that will leave them frustrated. On a positive note, I bought two new L.M.M. novels and two new short story collections as a result! She’s a great writer, just tired of Anne Shirley.
This book was read as part of Cathy 746’s challenge to read 20 books between June 1st and September 5th.