Women in Clothes co-edited by Sheila Heti

Book Cover
Book Cover

Women in Clothes (2014, Blue Rider Press) is an anthology unlike any kind before it. At 515 pages, you may wonder what so many women have to say about their clothes, their relationship to clothes, and what they think of other women’s clothes. In 2013 I was still an active on Facebook (you won’t find me there now). Sheila Heti was a FB friend of mine, though we didn’t really know each other. She had done a reading at my college, and I liked that her work was odd, and that she, too looked unique in a way I couldn’t place, so I friended her, which many of us do. Through FB, Heti put out a call for participants in a survey for women about clothes. That was about all I knew, but I felt the tug of my past quizzy self asking me to do it, thinking of those years as a teenager when I filled out hours of questionnaires (what’s your favorite color? what’s the first thing you do when you wake up? etc.) my friends sent to each other, typically through AOL e-mail. I responded to Heti’s request and filled out a long survey about clothes, style, make up, and jewelry.

Heidi Julavits, Leanne Shapton, & Sheila Heti (L to R).  Photograph by Gus Powell.
Heidi Julavits, Leanne Shapton, & Sheila Heti (L to R). Photograph by Gus Powell.

In 2014, I learned that Women in Clothes was not only a reality, but it was a huge project. Sheila Heti, Heidi Julavits, and Leanne Shapton collected surveys from around the world, conducted interviews, gathered photo evidence, stories, and diagrams about fashion from over 639 (myself included) participants. The anthology is described as “essentially a conversation among hundreds of women of all nationalities—famous, anonymous, religious, secular, married, single, young, old—on the subject of clothing, and how the garments we put on every day define and shape our lives.” I received my contributor’s copy and must admit, I was a bit shocked when I held it. This book is enormous, and because it’s not a narrative, I wasn’t sure how to approach it. In all honesty, I put the book in my bathroom and decided it’s short sections would make such a room the perfect place for it. Occasionally, I would take the book into another room and read it there, but there is so much information that it seemed better to read only one small section at a time.

I read Women in Clothes cover to cover, skipping very little. One page shows a diagram of stains on clothes, which I didn’t care to read thoroughly. The fiction stories, though there aren’t many, were too avant garde for me. But overall, I read the whole thing, front to back.

The anthology begins with a conversation between Heti, Julavits, and Shapton. It’s a bit gossipy and teenager in tone, which I found grating, but I can see how the authors were trying to keep the dialogue as real as possible, or perhaps they even recorded what they said and typed the conversation verbatim. I’ve read a number of reviews on Goodreads that point out a dislike of this introduction to how the idea for the book began, and I must admit that I also wish it started more professionally.

What I didn’t notice about Women in Clothes at first is its power to change the reader. First, I was copying quotes I enjoyed onto my Goodreads account to share with others. But half way through, suddenly it dawned on me that I was staring at strangers’ outfits, comparing the clothes people in groups wore, and grabbing and feeling all the fabrics in clothing stores as I walked by the racks. I began trying on clothes, noticing cut and color with a more fastidious eye that I had previously, back when I figured if it covered my body it must “fit.”

Tania Van Spyk’s dress sets part II

People tended to respond to my quotes on Goodreads. I often found women funny, strong, curious, and confused about clothes in a way that I am, but didn’t realize. Here are some excerpts where women discover things about themselves:

from You Don’t Know What I Deal With: the women from the podcast BLACK GIRLS TALKING:

“That’s an advantage of living in an area that’s populated by actual black people. You get to see other black people living relatively normal lives, with bangin’ hair. I only found natural communities because I have scalp issues…probably related to getting relaxers, and I was just Googling, and I was like What else can I do? Then I found natural hair, and I kind of just waded my way through the murk.”–Alesia: (25-27)

from a survey titled “Men Looking at Women”:

“In my family, I was know for my ‘sausage fingers.’ There was a family friend I really respected, a father of one of my friends. One day in the summer when I was reading on the couch, just being an awkward teen and feeling really ugly, he walked through the room and said, ‘You have the hands of the Madonna.’ I realized that we tell ourselves stories about he we think we are. It’s better if it’s a nice story.”–Karima Cammell (329)

And then there are informative moments, where readers can learn something:

from Flower X: smell scientist Leslie Vosshall speaks to Heidi Julavits:

LESLIE: “The current fashion in perfumes I find very depressing. A lot of people smell like vanilla blackberry ice cream: very vanilla, very musky, but with fruit layered on top.”

HEIDI: “I hate to tell you this, but I’m wearing a vanilla scent. It makes me feel like a cookie. A happy cookie.” (253-256)

And, of course, there is lots of humor when women talk about clothes:

from a survey titled “Strangers”:

“I once met an elderly woman on an airplane and we started talking. I told her how much I liked her outfit, which I can’t remember in detail now but which I definitely remember as being quite fabulous. She thanked me, then said, Every morning that I wake up and realize I’m not dead is a chance for me to say ‘Fuck it.’ So I dress like this.”–Fatima G. (351)

Women describe photos of their mothers
Women describe photos of their mothers

Women in clothes isn’t just pages of writing; there are a number of images, such as photocopies of women’s hands, pictures of mothers, and a series of women who swap outfits (so we can see how clothes change with bodies). There are tons of images, both in color and black and white. I found the most touching to be pictures of mothers that daughters submitted, who then describe what they think of their moms.

I recommend this book as a cultural artifact. I recommend it for it’s uniqueness. I recommend it to get you thinking about your own exterior and how it affects your interior–and vice versa.

This review was written after I read my contributor’s copy. I make no money and gain no success from having two of my survey answers appear in this book, but it could cause some bias because I want the book to do well, yet feel that it stands on its own merit.


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